Artablism - Platiniste - Plasticien - Turntablist - Art- Matthieu Crimersmois

Matthieu Crimersmois est un artiste interdisciplinaire dont la pratique explore le geste comme écriture, issue du turntablism. Son travail développe des dispositifs analogiques, numériques et performatifs permettant de traduire le mouvement sonore en image.

Sous le terme Artablism, il étend la pratique du DJing aux arts visuels et à l’installation. Ses œuvres prennent la forme de dessins réalisés avec platines, sculptures de vinyles chauffés, impressions spectrales et environnements immersifs.

Il a présenté ses travaux notamment à Antre Peaux (Bourges), au MAC VAL (Vitry), à Plateforme (Paris) et à la Galerie des Arts Visuels de l’Université Laval (Québec).

Matthieu Crimersmois is an interdisciplinary artist whose practice explores gesture as a form of writing, rooted in turntablism. His work develops analog, digital, and performative devices that translate sonic movement into visual form.

Under the term Artablism, he extends the practice of DJing into visual arts and installation. His works take the form of drawings made with turntables, sculptures of heated vinyl records, spectral prints, and immersive environments.

He has presented his work notably at Antre Peaux (Bourges), MAC VAL (Vitry), Plateforme (Paris), and the Visual Arts Gallery at Université Laval (Québec).

REAL-TIME SCRATCH AND DRAWING VIEWER

Real time skratch program

Vidéo 2022

Real time skratch program

Vidéo 2022

Phonoptique, la machine

2005
papier photosensible, led, métal, platines, vinyle, système de poulie

Phonoptique, gestuelle du scratch

2005
papier photosensible, led, métal, platines, vinyle, système de poulie.

Phonoptique - Matthieu Crimersmois - 2004 - Visual Scratch

CECI EST UN CODE SCRATCH (retranscription en code morse)

2005
papier photosensible, led, métal, platines, vinyle, système de poulie

Scratch - code morse - art sound - conceptual art - Matthieu Crimersmois - fine art

Scratch to morse #1 - Matthieu Crimersmois

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Below, the continuity of this first project on scraping gestures and transcription on photosensitive paper that I carried out in 2005.

All the scores that follow are played live, that is, I write my score at the same time as I manipulate my vinyl back and forth to form stripes. This is possible thanks to the software I made in 2007 which I continue to develop.

It is also an educational tool to better understand the gestures we execute when we learn "scratch music".