Matthieu
Crimersmois
Matthieu Crimersmois est un artiste interdisciplinaire dont la pratique explore le geste comme écriture, issue du turntablism. Son travail développe des dispositifs analogiques, numériques et performatifs permettant de traduire le mouvement sonore en image.
Sous le terme Artablism, il étend la pratique du DJing aux arts visuels et à l’installation. Ses œuvres prennent la forme de dessins réalisés avec platines, sculptures de vinyles chauffés, impressions spectrales et environnements immersifs.
Il a présenté ses travaux notamment à Antre Peaux (Bourges), au MAC VAL (Vitry), à Plateforme (Paris) et à la Galerie des Arts Visuels de l’Université Laval (Québec).
Matthieu Crimersmois is an interdisciplinary artist whose practice explores gesture as a form of writing, rooted in turntablism. His work develops analog, digital, and performative devices that translate sonic movement into visual form.
Under the term Artablism, he extends the practice of DJing into visual arts and installation. His works take the form of drawings made with turntables, sculptures of heated vinyl records, spectral prints, and immersive environments.
He has presented his work notably at Antre Peaux (Bourges), MAC VAL (Vitry), Plateforme (Paris), and the Visual Arts Gallery at Université Laval (Québec).
Wikidata :
https://www.wikidata.org/wiki/Q136710649
Artablism :
https://www.wikidata.org/wiki/Q136716260
Phygitablism : Phygital Art, Turntablism
https://fr.wikipedia.org/wiki/Art_phygital
Atelier_Matthieu_Crimersmois_2025
Personal project in the fine arts school in 2003 of Nantes.
- How to mix my passion for scratch and for the visual arts?
- How to transcribe the sensation that I have in my head and in my body almost of the order of synesthesia. This feeling of having my soul, my mind and my body that twists in color, strong line and abstract form like the Visualizer of ITune, with each scratch note. (Today augmented reality is almost the key, to visualize this feeling).
It is certain that this had to go through the practice of turntables and the visual arts, but also and above all through the gestures that one exercises on the turntables.